Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Bill Traylor
Man Talking to Bird

ID: 32035

Bill Traylor Man Talking to Bird
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Bill Traylor Man Talking to Bird


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Bill Traylor

African-American Folk Artist, ca.1856-1949 was a self-taught artist born an Alabama slave. Unable to read or write, he first began drawing in 1939 at the age of eighty-three. He worked full-time for the next four years to produce over eighteen hundred drawings. He used a straight edge to create geometric silhouettes of human and animal figures which he then filled in with crayon and tempera. He is known for his intriguing use of pattern versus flat color and a remarkably intuitive sense of space. He started hanging his works on a nearby fence to entertain the locals. One of his first fans was Charles Shannon, a painter who introduced Traylor to the New South regionalist artists and organized two shows of his work before his death. Since then, Traylor has become one of the most highly sought-after outsider artists.  Related Paintings of Bill Traylor :. | Sentier de la mi-cote,Louveciennes | self-Portrait (nn03) | A Slate Wharf,with the Village of Clappersgate and Coniston Fells,near the Head of Windermere-Forenoon (mk47) | My Portrait with Masks | Madamoiselle Dobigny |
Related Artists:
Maria Vos
painted Stilleven met kan van steengoed in 1878
Carl Wilhelmson
1866-1928 Swedish painter and lithographer. Wilhelmson trained first as a commercial lithographer in Göteborg. In 1886 he enrolled as a student of decorative painting at Valand College of Art where his teacher was Carl (Olof) Larsson. In 1888, having obtained a travel grant, he went to Leipzig to study lithographic technique. From 1890 to 1896 he lived in Paris, where he worked as a lithographer and commercial artist and studied at the Academie Julian. Wilhelmson's preferred subject-matter was the coastal landscape of Bohuslen and the people of its little fishing villages with their huddles of wooden houses. There is no trace of ethnography in his depictions of local life; they are full of serious realism and display a sensitive insight into the perilous life of the fishermen, with which he had been familiar since childhood. In the Village Shop
Julius Jacob the Younger
painted in ca. 1910






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